![]() 16 – 19, which are all somewhat darker in mood and less virtuosic on the whole. ![]() I personally have great fondness for the late Rhapsodies, Nos. 5, 9, 14, 15 and, despite its structural flaws, 12. ![]() #3 is not popular but also quite a fine work, as are Nos. 2 and 6, for all their flash and bravura, are well crafted, brilliant pieces. Yes, there is a good measure of confection in them – mostly good confection though – but there's also much solid Liszt in these scores. ![]() There is more than a grain of truth to that, but there's more to Liszt than many of his detractors realize, even in these Rhapsodies which are largely viewed as uneven creations, that at their best feature colorful music of relatively little depth. Hungarian Rhapsody No.Many music lovers and keyboard enthusiasts still believe that Liszt was a light-weight composer, given to bouts of bombast and virtuoso writing for its own sake.Hungarian Rhapsody No.15 in A minor (Rákóczi-Marsch).Hungarian Rhapsody No.12 in C-sharp minor.Hungarian Rhapsody No.9 in E-flat major (Pesther Carneval).Hungarian Rhapsody No.8 in F-sharp minor.Hungarian Rhapsody No.6 in D-flat major.Hungarian Rhapsody No.5 in E minor (Héroïde-élégiaque).Hungarian Rhapsody No.4 in E-flat major.Hungarian Rhapsody No.3 in B-flat major.Hungarian Rhapsody No.2 in C-sharp minor.Hungarian Rhapsody No.1 in C-sharp minor.Magyar rapszódiák - Ungarische Rhapsodien - Rhapsodies hongroises Orchestral version arranged for piano 4 hands by Liszt, 1874 (= S.621/3).Arranged for orchestra by Liszt and Franz Doppler, 1857–60, as Hungarian Rhapsody No.3 in D major (= S.359/3).Composed for solo piano, 1847 (= S.244/6), using themes from Nos.4, 5 and 11 of Magyar dalok, S.242, and from No.20 of Magyar rapszódiák, S.242.IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Please obey the copyright laws of your country. You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. ![]() This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). ![]()
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